New Star Wars movie Rogue Squadron takes a major step forwards
The project reportedly has a screenwriter
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Disney and Lucasfilm’s first newStar Wars moviesince 2019, Rogue Squadron, has reportedly found a screenwriter. Matthew Robinson, who is also working on the upcoming sequel to Tom Cruise time loop movie Edge of Tomorrow, is apparently writing the movie.
The aim is to start filming in 2022, with pre-production starting later this year, according toThe Hollywood Reporter, which says that Lucasfilm had no comment on Robinson’s involvement in the film. The writer also worked on the comedy The Invention of Lying with Ricky Gervais, and the live-action Dora the Explorer movie from a couple of years back.
Wonder Woman director Patty Jenkins is behindStar Wars: Rogue Squadron, which is scheduled to release on December 23, 2023. The movie is about a new generation of pilots in the Star Wars galaxy, and takes the story to what’s been described as the ‘future era’ – presumably some time after the events ofEpisode 9: The Rise of Skywalker.
Here’s hoping that Squadrons is better than that film was – or Jenkins’Wonder Woman 1984.
Since the logo depicts an X-Wing, we’re expecting these pilots to exist as part of some future form of the Resistance from the sequel trilogy. As it stands, this is an era of Star Wars history we’ve never seen on screen before.
Analysis: Does Star Wars even need movies now?
Back in May, we said thatStar Wars doesn’t need to exist as a movie seriesany more – after The Mandalorian and the final season of The Clone Wars, it felt like Lucasfilm was finding more satisfying ways to tell these stories on the small screen. So far, its live-action shows have demonstrated that they have the same level of special effects as the movies.
So, what’s going to make people go out and spend big cash on a movie set in that universe? That’s the big question here. Diminishing box office returns on Solo: A Star Wars Story led to Disney scaling back its efforts on big screen, and now its most exciting projects are all coming to TV: Obi-Wan Kenobi,Andorand a selection ofMandalorianspin-offs.
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Essentially, a new movie has to compete with all of that – so it needs to show viewers something they don’t feel like they’re getting elsewhere, which is a big challenge for Jenkins and Lucasfilm.
That said, the dramatic ending to Rogue One aside, we haven’t seen nearly enough large-scale starfighter combat in Disney’s Star Wars projects. Perhaps that’s one way Rogue Squadron can differentiate itself.
Samuel is a PR Manager at game developer Frontier. Formerly TechRadar’s Senior Entertainment Editor, he’s an expert in Marvel, Star Wars, Netflix shows and general streaming stuff. Before his stint at TechRadar, he spent six years at PC Gamer. Samuel is also the co-host of the popular Back Page podcast, in which he details the trials and tribulations of being a games magazine editor – and attempts to justify his impulsive eBay games buying binges.
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